top of page
Becoming undone by and being in-common with difference
These paintings are called into being by my encounters with the landscapes, trees, rocks and waters of far-flung places, including those of the southern hemisphere. They are shaped by a southern African semiotics of resistance, where interconnecting and pluralising processes invite us - artist and viewers - to become undone by and to be in-common with difference. These fractal-folding, other-worlding, body-landscape assemblages' pulse with an anti-identarian and hidden Eros, to resist, unsettle and exceed the violence, othering and mastery that underpins our techno-scientific, phallogocentric, racist and capitalist world order.
bottom of page