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Becoming undone by and being in-common with difference
These paintings are called into being by my encounters with the landscapes, trees, rocks and waters of far flung places, including those of the far southern hemisphere. They are shaped by a southern African semiotics of resistance, where interconnecting and pluralising processes invite us - artist and viewers - to become undone by and to be in-common with difference. The life-force of these fractal-folding body-landscape assemblages pulses with an othered and hidden Eros, to unsettle and exceed those drives to violence and mastery that are naturalised by the will to power of our techno-scientific, phallocentric, racist and capitalist world order.
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