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Power is seemingly everywhere – in our languages, norms, practices and in art.
Yet, art also offers us life worlds beyond power.
The pluralising grammars of my painting practice undo the boundaries between body and landscape, self and other, consciousness and the flesh. Here, a reciprocal ethics of becoming undone by, and of being in common with difference, underpin an erotics of compassionate disclosure. Shaped by my post-colonial, feminist and southern affiliations, this is a painting quest to bypass and resist those forms of identarian thinking that ignore, repress or subordinate the desire and agency of those who have been 'othered'.
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