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Power is seemingly everywhere – in our languages, norms, practices and in art.
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Yet, art also offers us life worlds beyond power.
The pluralising grammars of my painting practice undo the boundaries between body and landscape, self and other, consciousness and the flesh. Here, a reciprocal ethics of becoming undone by, and of being in common with difference, underpin an erotics of compassionate disclosure. Shaped by my post-colonial, feminist and southern affiliations, this is a painting quest to bypass and resist those forms of identarian thinking that ignore, repress or subordinate the desire and agency of those who have been 'othered'.
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